Nicole Gravier
‍(*1949, FR) Lives and works in Arles, France

Professor of Artistic Anatomy at the Academy of Fine Arts in Bergamo, Naples and Florence and at the Brera Academy of Fine Arts in Milan until the end of 2017.

Education:
Studied at the Académie de Beaux Arts in Aix-en-Provence and at the Brera Academy of Fine Arts in Milan, graduating in painting.

Selected Solo / Duo Exhibitions:
2020: Nicole Gravier and Nora Turato, “Words Are Way Too Easy To Play With”, curated by Edoardo Bonaspetti and Stefano Cernuschi, Ordet, Milan, IT
2019: “Mythes & Clichés”, Photoromans, Ermes-Ermes, Vienna, AT
2014: “Passaggi (Alchemici)”, Galleria Artepassante, Milan, IT
2013: “Nicole Gravier”, Contemporary Art Museum, Zengzhou, CHN
1980: “Mythes & Clichés”, Galleria Centrosei, Bari, IT
1979: “Photoromans”, ADDA, Marseille, FR. “Peintures”, Galleria Il Salotto, Como, IT. “Nuove proposte per le arti visive”, curated by Francesco Poli, Unione Culturale, Turin, IT. “Mythes & Clichés”, Franklin Furnace, New York, US
1977: “Telefilms”, Galleria Canaviello, Rome, IT
1976: “Telefilms”, ECART Gallery of John Armleder, Geneva, CH. “Solo show”, Labyrinth Gallery, Lublin, PL
1975: “Cartes Postales”, Gallery ONE ONE ONE, Montréal, CA. “Mythes & Clichés-Cartes Postales”, with Véhicule (Montreal), University of Art of Manitoba, Winnipeg, CA. “Cartes Postales”, Galleria Nuovi Strumenti de Pietro Cavellini, Brescia, IT. M“ythes & Clichés“, Galerie Krinzinger, Innsbruck, AT. „Telefilms”, Galleria Toselli, Milan, IT
1974: “Cartes postales”, The Photographers’ Gallery, London, UK. “Cartes Postales”, Sondertalje Gallery, Sodertalje, SE. “Cartoline”, Galleria Scipione, Macerata, IT
1973: “Cartes postales”, Multitudes Gallery, Paris, FR. “Cartes postales”, Galleria la Bertesca, Genoa, IT

Selected Group Exhibitions:
2021: “KOLÉ SÉRÉ”, curated by Julie Boukobza, BRAUNSFELDER, Cologne, DE. “FOTOROMANZA”, Le Commun, Genève, CH
2020: “SuperSalon”, curated by Claire Le Restif, Paris Internationale, FR. “IT’S URGENT!”, curated by Hans Ulrich Obrist, Luma, Arles, FR
2019: “The unexpected subject. 1978 Art and Feminism in Italy”, curated by Marco Scotini, Raffaella Perna, FM. Centro per l’Arte Contemporanea, Milan, IT
2018: “L’altro sguardo, Fotografie italiane 1965-2018”, Palazzo delle Esposizioni, Rome, IT. “MAGMA, Body and Words in Italian and Lithuanian Women’s Art from 1965 to the Present,” curated byBenedetta Carpi De Resmini, Laima Kreivytė, Istituto Centrale per la Grafica, Rome, IT
2016: “La parola agli artisti. Arte e Impegno a Milano nelle anni ‘60”, curated by Cristina Casero, Elena di Rado, Museum of Contemporary Art, Lissone, IT
2015: “Desiderata”, curated by Lorenzo Madaro, Galleria A100, Galatina/Lecce, IT. “Vraiment. Féminisme et Art”, Centre National Art Contemporain, Grenoble, FR
1993: “II International Biennal of Sculpture”, Le jardin du Paradis, Martino/Lecce, IT
1992: “Archeologia dell’Anima”, curated by Rossana Bossaglia, Galleria Orti Sauli, Genoa, IT
1991: “Ecritures Celestes”, Galleria Arte Borgogna, Milan, IT
1982: „Typish Frau“, Bonner Kunstverein, Bonn, DE. „Mannersm, A theory of culture”, curated by Jo-Anne Birnie Danzker, Vancouver Art Gallery, Vancouver, CA. “Art Social Critique”, Festival de La Rochelle, La Rochelle, FR
1980: “Venice Biennale”, Section Special projects, Venice, IT. “Il Pomo della Discordia”, curated by Carmelo Stano, Galleria Bonaparte, Milan, IT. “Kunst im sozialem Kontext“, Kunstverein Karlsruhe, Karlsruhe, DE
1979: “La pratica politica”, Galleria Comunale Arte Moderna, Modena, IT. “7X7/Sette critici per sette artisti”, Loggia Rucellai, Florence, IT
1978: “Fotoromanzi”, Galleria Il Laboratorio, Milan, IT. “Mythes & Clichés”, Grafil Gallery, Lisbon, PT. “Fotoromanzi”, Milch Strasse Gallerie, Friburg, DE. “Fotoromanzi”, Italian-French Association, Bari, IT. “Fotoromanzi”, Galleria il Punto, Calice Ligure, IT
1977: “Photoromans”, Festival de Rencontres, Lisbon, PT
1976: “Europe-America.The different avant-gardes”, curated by Achille Bonito Oliva, Rome, IT. Krakow Biennal, Krakow, PL
1975: “Magma”, curated by Romana Loda, Castel Oldofredi, Iseo, IT. “Mythes & Clichés”, Galleria Monti/Sperone, Rome, IT. “Photographers painters”, Salon of Contemporary Art/Flash Art, Paris, FR. “Flash Art Fotografia”, Galleria Il Milione, Milan, IT
1974: “Coazione a mostrare”, curated by Romana Loda, Castello Comunale di Erbusco, Erbusco, IT. “Progressionen 1”, Progressionen Gallery, Cologne, DE
1973: “Cartes Postales”, Ecole St Ursule, Dijon, FR. “Sequences/PhotoKina”, ARC2, Cologne, DE. “Grands et Jeunes d’Aujourd’hui/Cartes postales”, Grand Palais, Paris, FR. “Contemporanea”, curated by Achille Bonito Oliva, Villa Borghese, Rome, IT
1972: “70 Peintres”, E.N.S.E.E.I.H.T, Toulouse, FR. “Impact II”, Musée d’Art Moderne de Céret, Céret, FR



Anthea Hamilton
‍(*1978, UK) Lives and works in London, United Kingdom

Education:
2005: Royal College of Art London
2000: Leeds Metropolitan University
1997: Wimbledon School of Art London

‍Selected Solo Exhibitions:
2021: Forthcoming: Institute of Contemporary Art Miami, Miami, US 
‍2019: The Prude, Thomas Dane Gallery, London, US 
‍2018: The New Life, Secession, Vienna, AT. A is for… and, am, anxious, apple, adore…, kaufmannrepetto, Milan, IT. The Squash, Tate Britain, London, UK 
‍2017: Corn Smut (with Samuel Nicolle), White Cubicle, London, UK 
‍2016: Frieze Projects New York, Randall’s Island, New York City, US. LOVE IV: Cold Shower (with Nicholas Byrne), Schinkel Pavillon, Berlin, DE. Anthea Hamilton Reimagines Kettle’s Yard, The Hepworth Wakefield, Wakefield, UK. Grasses, The Magazine Sessions, in collaboration with Fiorucci Art Trust, Serpentine Sackler Gallery, London, UK 
‍2015: Lichen! Libido! Chastity!, SculptureCenter, Long Island City NY, US. House, curated by S Handlykken &  P Eeg-Tverbakk, Commissioned by KORO, Oslo, NO. Donuts, Fig-2, ICA, London, UK 
‍2014: Just Kimonos, Shanaynay, Paris, FR. LOVE (with Nicholas Byrne), Glasgow International, Glasgow, UK 
‍2013: LET’S GO!, Bloomberg Space, London, UK 
‍2012: Kabuki, The Tanks, Tate Modern, London, UK. Sorry I’m Late, Firstsite, Colchester, UK. Frieze Projects East: LOVE (with Nicholas Byrne), Poplar Baths, London, UK. Les Modules, Palais de Tokyo, Paris, FR 
‍2011: Venice, Frieze Film, commissioned by Frieze Foundation, UK. Open Set, IBID Projects, London, UK 
‍2009: Calypsos (with Nicholas Byrne), Studio Voltaire at Zoo Art Fair, London, UK. Spaghetti Hoops, La Salle de Bains, Lyon, FR. Turnhalle, Kunstverein Freiburg, Freiburg, DE 
‍2008: Gymnasium, Chisenhale Gallery, London, UK 
‍2007: Cut-outs, Galerie Fons Welters, Amsterdam, NL. Art Statements, Art Basel 38, Basel, CH 
‍2006: Athens, IBID Projects, London, UK  

‍Selected Group Exhibitions: 

‍2021: KOLÉ SÉRÉ, curated by Julie Boukobza, BRAUNSFELDER, Cologne, DE. The Paradox of Stillness: Art, Object and Performance, Walker Art Center, Minneapolis, US  
‍2020: Collection as Poem in the Age of Ephemerality, X Museum, Beijing, CN. Paint the Town in Sound, curated by Field Music, Sunderland Museum & Winter Gardens, Sunderland, UK. Living Things,  JTT, New York City, US. Junque, Massimo de Carlo Gallery, London, UK 
‍2019: Objects of Wonder – from Pedestal to Interaction, ARoS Aarhus Kunstmuseum, DK. We Must Cultivate Our Garden, Sunshine Cafe, Margate, UK. May You Live In Interesting Times, Biennale di Venezia 58, Venice, IT. As Seen on Screen: Art and Cinema, Walker Art Gallery, Liverpool, UK. Selflessness, Kunstnernes Hus, Oslo, NO. Perceptions: Berrneshat, The National Gallery of Kosovo, Pristina, XK. Objects of Wonder: British Sculpture 1950s-Present, from the Tate Collection, Palais Populaire, Berlin, DE. Paralympic Heritage - Stories from Bradford, Cartwright Hall Art Gallery, Bradford, UK 
‍2018: Perceptions; Women Tailored to Society?, The Gallery of Matica srpska, Novi Sad, RS. Public Fiction: The Conscientious Objector, MAK Center for Art and Architecture, Los Angeles, US
‍2017: Footnotes, Whitechapel Gallery, London, UK. Domesticity VI, Kayu-Lucie Fontaine, Bali, ID. Uummannarsuaq, 1857, Oslo, NO. I go, you go, good to go, Unclebrother, Hancock, US. Disobedient Bodies, curated by JW Anderson, The Hepworth Wakefield, Wakefield, UK 
‍2016: Turner Prize, Tate Britain, London, UK. History of Nothing, White Cube, London, UK. 8 Femmes, Office Baroque, Brussels, BE 
‍2015: Chance Encounters, Loewe Foundation, Miami, US. La Vie Moderne, 13eme Biennale de Lyon, curated by Ralph Rugoff, Lyon, FR. The Averty Show, Le Confort Moderne, Poitiers, FR. Terrapolis, Neon and the Whitechapel Gallery, École de Française d’Athènes, Athens, GR. Mon Horizontalité, Until Then, Paris, FR. British Art Show 8, Curated by Anna Colin and Lydia Yee, Leeds Art Gallery, UK; travelled to: Inverleith House, Edinburgh, UK; Norwich Castle Museum and Gallery, Norwich, UK; Southampton City Art Gallery, Southampton, UK 
‍2014: Burning Down The House: 10th Gwangju Biennale, curated by Jessica Morgan, Gwangju, KR. Athletic Valentin, Chez Valentin, curated by Ilaria Marotta, Paris, FR. That Obscure Object of Desire, Luxembourg and Dayan, New York City, US. Don’t You Know Who I Am? Art After Identity Politics, MuKHA, Antwerp, BE. Period Room, Curated by Gallien Dejean, Palais de Tokyo, Paris, FR. Assembly: A Survey of Recent Artists’ Film and Video in Britain 2008–2013, Tate Britain, London, UK. Pre-Pop to Post-Human: Collage in the Digital Age, organised by Hayward Touring, Galway Arts Festival, Galway, IE; travelled to: North London Collegiate School, London, UK; Grundy Art Gallery, Blackpool, UK; Beverley Art Gallery, Beverley, UK; Crescent Arts, Scarborough, UK 
‍2013: Flatness: Cinema after the Internet, curated by Shama Khanna, Oberhausen, DE. Better Homes, curated by Ruba Katrib, SculptureCenter, Long Island, US. ICA Off-Site: A Journey Through London’s Subculture; 1980’s to now, The Old Selfridges Hotel, London, UK. Souvenir, Galerie Perrotin, Paris, FR. Antibody, Lisa Cooley, New York City, US. Island, curated by Sarina Basta, Dairy – The Frank Cohen Collection, London, UK. Notes on Neo-Camp, curated by Chris Sharp, Office Baroque, Antwerp, BE; travelled to: Studio Voltaire, London, UK; Abstract Cabinet, David Roberts Art Foundation, London, UK 
‍2012: Tramway Festival of Artist’s Moving Image, in association with LUX, Tramway, Glasgow, UK. Space-Time Festival, Wysing Arts Centre, Cambridge, UK. Glaze, Chez Valentin, Paris, FR. LUX Biennial of Moving Images, ICA, London, UK. One Person’s Materialism is Another Person’s Romanticism II, Glasgow International, Glasgow, UK. In the Belly of the Whale (Act III), Centro Culturel Montehermoso, Vitoria, ES. Phases, Wallspace Gallery, New York City, US 
‍2011: There Are Two Sides to Every Coin and Two Sides to Your Face, Galerie Xippas, Paris, FR. British Art Now, Art Gallery of South Australia, Adelaide, AU. One Person’s Materialism is Another Person’s Romanticism, ReMap 3, Athens, GR. Savage Messiah, Rob Tufnell Gallery, London, UK 
‍2010: Newspeak: British Art Now, Saatchi Gallery, London, UK. Aquarius, Bold Tendencies 4, London, UK 
‍2009: Le Verite Tropicale, Circuit, Lausanne, CH. Small Collections, Nottingham Contemporary, Nottingham, UK
2008: Martian Museum of Terrestrial Art, Barbican Art Gallery, London, UK. Art Now: Strange Solution, Tate Britain, London, UK



Gabriel Kuri
‍(*1970, MX) Lives and works in Brussels, Belgium 

Education & Residencies:
2007: OCA Office for Contemporary Art, Oslo, NO
2006: Govett-Brewster Contemporary Art Gallery, New Plymouth, NZ
2002: ACA Master, Atlantic Center for the Arts, Florida, US 
1993-1995: Goldsmiths College University of London (MFA), London, UK
1988-1992: Escuela Nacional de Artes Plásticas (BFA). Universidad Nacional Autónoma de México (UNAM), Mexico City, MX

Selected Solo Exhibitions:
2020: “Spending Static to Save Gas”, The Douglas Hyde Gallery, Dublin, IE. Gabriel Kuri. Walter Storm Gallery, Munich, DE
2019: “Untitled public artwork”, Artwork commission. Swiss Institute, New York, US. Sorted, Resorted. Wiels Contemporary Arts Center, Brussels, BE
2018: “spending static to save gas”, Oakville Galleries, Ontario, CA. 
2017: “Afterthought is Never Binary”. Sadie Coles HQ, London, UK
2016: “Product Testing Unit”, *ALTEFABRIK, Rapperswil-Jona, CH
2015: “Gabriel Kuri” Kukje Gallery, Seoul, KR. “Gabriel Kuri”, with personal thanks to their contractual thingness. Aspen Art Museum, US. “An Old Niche for Your New Need”, Esther Schipper, Berlin, DE
2014: “Gabriel Kuri”. Regen Projects, Los Angeles, US “All Probability Resolves Into Form. The Common Guild” Glasgow, UK
2013: “Gabriel Kuri. Punto y línea en el altiplano” Galleria Franco Noero, Turin, IT. “Push pins in elastic space - Curated by GABRIEL KURI”,  Galerie Nelson – Freeman, Paris, FR. “Bottled water branded water”, Parc Saint Leger-Centre d'art contemporain, Pougues-les-Eaux, FR
2012: “Gabriel Kuri”,  Bergen Kunsthall in collaboration with Bergen Public Library, NO. “Gabriel Kuri”, kurimanzutto, Mexico City, MX “Classical Symmetry, Historical Data, Subjective Judgment”, Sadie Coles HQ, London, UK “My 50% of Your 100 %” Sfeir-Semler Gallery, Beirut, LB
2011: “Nobody Needs to Know the Price of Your Saab”, The ICA, Boston, US. “Before contingency after the fact”, South London Gallery, London, UK. “Carbon Index Compost Copy”, Esther Schipper, Berlin, DE.
2010: “Nobody Needs to Know the Price of Your Saab”, The Art Museum of the University of Houston, US. “Soft Information in your Hard Facts”, Museion-Museo de Arte Moderna, Bolzano, IT. “Join the Dots and Make a Point”, Kunstverein Freiburg, DE; Kunstverein Bielefeld, DE.
2009: „3.66% of 3.66%“, Galleria Franco Noero, Turin, IT
2008: “Gabriel Kuri”, Sadie Coles HQ, London., UK
2007: “Space Made to Measure Object, Made to Measure Space”, Esther Schipper, Berlin, DE. “Reforma Fiscal 2007”, kurimanzutto, Mexico City, MX
2006: “And Thanks In Advance”, Govett-Brewster, New Plymouth, NZ. “Dato Duro, Dato Blando, Dato Ciego”, Galleria Franco Noero, Turin, IT.
2004: “Calorie Counting” Galleria Franco Noero, Turin, IT
2003: “Start To Stop Stopping”, MUHKA Museum van Hedendaagse Kunst Antwerpen, Brussels. “Let’s Go To Going To”, Freespace, Limbourg. “Por favor gracias de nada. Gabriel Kuri and Liam Gillick”, kurimanzutto, Mexico City. 
2002: “Recent Works”, Sara Meltzer Gallery, New York, US
2000: “Momento de importancia” Museo Rufino Tamayo, Mexico City, MX; Aula Magna, Instituto Anglo–Mexicano, Mexico City, MX; Project Room, ARCO, Madrid, ES
‍
Selected Group Exhibitions:
2021: “KOLÉ SÉRÉ”, curated by Julie Boukobza, BRAUNSFELDER, Cologne, DE. “INFORMATION (Today)”, Kunsthalle Basel, CH. Excepciones Normales. Museo Jumex, Mexico City, MX. 
2020: “Al filo de la navaja”, Museo Jumex, Mexico City, MX. “Was machen Sie um zwei? Ich schlafe.“, Gesellschaft für Aktuelle Kunst (GAK), Bremen, DE. „What's Up / Twenty Twenty“, LVH Art, London, UK.
2019: “Sick fireflies and lightings in jars”, Petach Tikva Museum of Art, Petah Tikva, IL. “No habrá nunca una puerta. Estás adentro”, Santander Fundación, Madrid, ES. Portadores de sentido. Museo Amparo, Puebla, MX. “Emissaries for things abandoned by gods”. Estancia FEMSA, Mexico City, MX. Okoyama Triennale 2019, JP.
2018: “Converter”, Kunstmuseum St. Gallen. “Autorreconstrucción: Detritus”, Museo Universitario de Ciencias y Artes (MUCA), Mexico City. 
2017: “Desert X”, Coachella Valley, Los Angeles, US. “Field Guide”, Remai Modern, Saskatoon, CA.
2016: “ta.bu”, Maison Particulière, Brussels, BE “From Here to There”, Jessica Silverman Gallery, San Francisco, US. “XYLAÑYNU”, Taller de los Viernes. kurimanzutto, Mexico City, MX. “Rastros y Vestigios. Indagaciones sobre el presente”, Antiguo Colegio de San Ildefonso, Mexico City, MX. “Variaciones sobre tema mexicano”, Torre Iberdrola, Bilbao, ES. “El Orden Natural de las Cosas”, Museo Jumex, Mexico City, MX. “Everything You Are I Am Not”, MANA Wynwood, Miami, US. “Resonancias desde el Jardín de las Delicias”, Museo de Arte Carrillo Gil, Mexico City, MX. “Mount Analogue”, Performance Ski Shop, Aspen, US
2015: 12th Havana Biennial. Beaufort Triennale, BE. “The Persistence of Objects”, Lismore, AU. “Rastros y Vestigios. Indagaciones sobre el presente”, Hospicio Cabañas, Guadalajara, MX. “Balance Sheets”, Edouard Malingue Gallery, Hong Kong, HK “Consumed”, University Art Museum, Long Beach, US. “La ciudad y sus afectos”, Museo Universitario de Ciencia y Arte, Mexico City, MX. “Estudio abierto 5: Zea Mays”, Museo de Arte Zapopan, MX. “In Girum Imus Nocte et Consumir Igni”, Museo Jumex, Mexico City, MX. “Strange Currencies: Art & Action in Mexico City, 1990-2000”, The Galleries at Moore, Philadelphia, US.. 31st Biennial of Graphic Arts. Ljubljana, SI. “The Corner Sho”, Extra City Kunsthal, Antwerp, BE. “Balance Sheets”, Edouard Malingue Gallery, Hong Kong, HK. “Out of Office”, Museum of Contemporary Art, Chicago, US
2014: “Made in L.A. 2014”, Hammer Museum, Los Angeles, US. “Between Critique and Absorption: Contemporary Art and Consumer Culture”, Haggerty Museum of Art, Milwaukee, US. “La Gioia” La Maison Particuliere, Brussels, BE. “Carte Blanche à kurimanzutto, Mexico”, Patrick Seguin Gallery, Paris, FR. “El derrumbe de la estatua”, Museo Universitario de Arte Contemporáneo (MUAC), Mexico City, MX. “ARCO Foundation Collection”, Centro Dos de Mayo, Madrid, ES. “In _ We Trust. Art and Money”, Columbus Museum of Art, Columbus, US. “Melting Walls: The Babel Trilogy”, University of Tel Aviv, IL. “A History. Art, Architecture, Design from the 1980s Until Today”, Centre Pompidou, Paris, FR.
2013: “Xerography”, Firstsite Colchester. “Auf Zeit. Was hinter dem Putz steckt (For the time being)“, Staatliche Kunsthalle Baden Baden, DE. „México inside out: themes in art since 1990”, The Museum of Modern Art of Fort Worth, US. “Soft Pictures” curated by Irene Calderoni, Fondazione Sandretto Re Rebaudengo, Turin, IT. “Conspicuous Unusable”, Miguel Abreu Gallery, New York, US.
2012: “Amicale Succursale: Prolongation, around 'Wor((l)d)(k) in progress?”, Galerie Nächt St. Stephan-Rosemarie Schwarzwälder, Vienna, AT. “Expanded Field”, Galerie Bob Van Orsouw, Zurich, CH. “Seul Quelques Fragment de Nous...”, Galerie Thaddaeus Ropac, Paris, FR. “The Living Years: Art after 1989”. The Walker Art Center, Minneapolis, US. “Art Foundation Mallorca Collection -Special Edition”. CCA Andratx, Spain, ES. “B. Wurtz & Co.”, Richard Telles Gallery, Los Angeles, US.  “Sculptural Matt”, Australian Centre for Contemporary Art (ACCA), Melbourne, AU. “Only Parts of Us Will Touch Parts of Others”, Galerie Thaddaeus Ropac, Paris, FR. “Inaugural Exhibition by Gallery Artists”, Regen Projects, Los Angeles, US
2011: 54th Venice Biennale. “Pour un art pauvre (inventaire du monde et de l’atelier”, Carré d'Art - Musée d'art contemporain de Nîmes, FR. “Un'Espressione Geografica (A Geographical Expression)”, Fondazione Sandretto Re Rebaudengo, Turin, IT. “Informellnatur”, Galerie Sabine Knust, Maximilian Verlag, Munich, DE. “Keeping it Real: An Exhibition in 4 Acts: Act 4: Material Intelligence”, Whitechapel Art Gallery, London, UK
2010: “Out of Joint”, Galerie Kamm, Berlin, DE. “Where Do We Go From Here? Selections from La Colección Jumex”, Contemporary Arts Center, Cincinnati, US. “One Leading Away from Another”, 333 Gallery, New York, US. “The Concrete Show”, Galleria Franco Noero, Turin, IT. “Press Art. The Collection Annette and Peter Nobel”, Museum de Moderne Salzburg, AT. “It is it”, Espacio 1414, San Juan, PR. “Keep it real”, Whitechapel Gallery, London, UK. “Is this all there is?”, Lethaby Gallery, Central Saint Martins College of Art & Design, London, UK. “89 Km. Colección CGAC”, Museo de Arte Contemporánea de Vigo, ES. “TRANSURBANIAC”, University Art Gallery, University of California, San Diego, US. “Languages and Experimentations”, MART - Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, IT. “Che cosa sono le nuvole? Works from the Enea Righi Collection”, Museum of Modern and Contemporary Art Bolzano, IT. “Idiolect”, Wiels Contemporary Art Centre, Bruges, BE. “Frieze Projects 2010”, Frieze Art Fair, London, UK. “Berlin-Paris 2010” Galerie Nathalie Obadia, Paris, FR
2009: “Where do we go from here? Fundación/Colección Jumex”, Bass Museum of Art, Miami, US. “2nd Trienal Poli/Gráfica de San Juan”, Instituto de Cultura Puertorriqueña, San Juan, PR. “Revolution of the Ordinary. The Order of Things”, Museum Morsbroich, Leverkusen, DE. “POP UP! On realisms and realities”, Ludwig Forum, Aachen, DE. “All That Is Solid Melts Into Air”, MUHKA Museum van Hedendaagse Kunst Antwerp, BE. “La casa que el gato construyo”. Galería Salvador Díaz, Madrid, ES. “The Space of the Work and the Place of the Object” Sculpture Center, New York, US. “GAGARIN The Artists in their Own Words.”,S.M.A.K. Ghent, BE. “Eröffnung: Flüchtige Zeiten“, Westfälischer Kunstverein, Münster, DE. „Begins, Middles And Ends”, Kerstin Engholm Galerie, Vienna;, AT Georg Kargl Fine Arts, Vienna, AT; Christine König Galerie, Vienna, AT
2008: “Inauguración del nuevo espacio”. kurimanzutto, Mexico City, MX. “An Unruly History of the Readymade. Fundación/Colección Jumex”, Mexico City, MX. “Open Plan Living”, Helena Rubinstein Pavilion, Tel Aviv, IL. “Master Humphrey’s Clock”, M.H.C. De Appel Arts Centre, Amsterdam, NL. “La invención de lo cotidiano”, Museo Nacional de Arte, Mexico City, MX. “Recursos incontrolables y otros desplazamientos naturales”, Museo Universitario de Arte Contemporáneo (MUAC), Mexico City, MX. “Library”, UOVO Open Office, Berlin, DE. “Baghdad, Space Cog, Analyst”, Frith Street Gallery, London, UK. “Schüttelreime”, Office Baroque Gallery, Antwerp, BE. “The Store”, Tulip & Roses, Vilnius, LT. 5th Berlin Biennale. “Brave New Worlds. Fundación/Colección Jumex” Mexico City, MX. “Peripheral Vision and Collective Body”, Museum for Modern and Contemporary Art Bozen/Bolzano, IT. “Ephemera”, Green On Red Gallery, Dublin, IE. “Supernatural”, Centro Cultural Andratx, Spain, ES.
2007: “Unmonumental”, New Museum, New York, US. “Escultura social: A New Generation of Art from Mexico City”, Museum of Contemporary Art Chicago, US. “Fit to print”, Gagosian Gallery, New York, US. “Brave New Worlds”, Walker Art Center, Minneapolis, US. “Greed!”, Sun Valley Center for the Arts, US. “Expats & Clandestins”, Wiels - Centre d’Art Contemporain, Brussels, BE. “Private Life. Josep Maria Civit Collection”, Centro de Arte Naturaleza, Fundación Beulas, Huesca, ES. “Domestic Irony. A Foray into Italy’s Private Collection”, Museum of Modern and Contemporary Art Bolzano, IT. “Collector 1: The Gaia Collection”, Centro Sperimentale per le Arti Contemporanee, Caraglio, IT. “Mapas, Cosmogonias e Puntos de Referencia”, Centro Galego de Arte Contemporánea, Santiago de Compostela, ES. “Let Everything Be Temporary, or When is the Exhibition?”, Apexart, New York, US
2006: “The Exotic Journey Ends”. kurimanzutto & Foksal Gallery Foundation, Warsaw, PL. “Los Ángeles/México. Complejidades y Heterogeneidad”, Museo José Luis Cuevas, Mexico City, MX. “An Image Bank For Everyday Revolutionary Life”, Gallery at REDCAT (The Roy and Edna Disney CalArts Theater); The Museum of Contemporary Art, Los Angeles, US. “Globalization: Indications/Side Effects/Warnings”, Espacio 1414. San Juan, PR. “Brighton Photo Biennial 2006”, Brighton Photo Biennial, UK. “Could Have Been the Weather”, Tatar Gallery, Toronto, CA
2005: “Open-Ended: Pierre Bismuth, Michel François, and Gabriel Kuri”, Thomas Dane Gallery, London, UK. “En Route: Via Another Route”, Trans-Siberian train. “In This Colony”, Kunstfort Bij Vijfhuizen, NL. “Omaggio Al Quadrato”, Galleria Franco Noero, Turin, IT. “Post Notes”, Midway Contemporary Art, Minneapolis, US; ICA Institute of Contemporary Arts, London, UK. “Monuments for the USA”, CCA Wattis Institute for Contemporary Arts, San Francisco, US. “Emergency Biennale In Chechnya: A Suitcase from Paris To Grosny”,  Grosny, RU; Palais de Tokyo, Paris, FR; Matrix Art Project, Brussels, BE; The European Academy, Bolzano, IT; Isola Art Center, Milan, IT; Neatliekama Biennale/Rigas Pietura, Riga, LV; Tallinn Art Hall; Centre A, Vancouver, CA; Laboratory Stop, Puebla, MX; 10th Istanbul Biennial, TR; 2008 World Social Forum and CCA Playspace Gallery, San Francisco, US; Galeria Arsenal, Bialystok, PL; ARTISTERIUM 09, Tbilisi, GE. “Material Time / Work Time/ Life Time” Reykjavik Art Mueseum, Hafnarhus, IS. “Feeling Strangely Fine. Galería Estrany-de la Mota, Barcelona, ES. “From A To B And Back Again” Galerie chez Valentin, Paris, FR. “Material Matters”, Cornell University, Herbert F. Johnson Museum of Art, Ithaca, US
2004: “I’ll Be Your Mirror” Organized by Fondazione Nicola Trussardi during Frieze Art Fair 2004, City Inn Westminster Hotel guest rooms, London, UK. Specific Objects: The Minimalist Influence. Museum of Contemporary Art, San Diego and La Jolla, US. “Around the Corner”, Contemporary Art, Lisbon, PT “Beating About The Bush”, South London Gallery, UK. “State Of Play” Serpentine Gallery, London, UK. “The Happy Worker”, Bard College, Annandale-on-Hudson, New York, US. “La Colmena. Fundación/Colección Jumex”, Mexico City, MX 
2003: “Elephant Juice (Sexo entre amigos)”, kurimanzutto in Restaurante Los Manantiales, Mexico City, MX. 50th Venice Biennale. “Living with Duchamp”, Tang Teaching Museum, Saratoga Springs, US. “Supernova: Art Of The 1990s From The Logan Collection”, San Francisco Museum of Modern Art, US. “Bienal Americas De Ponta Cabeza”, Fortaleza, BR. “Killing Time And Listening Between Lines. La Fundación/Colección Jumex, Mexico City, MX 
2002: “Siete dilemas: Diálogos en el arte mexicano”, Museo de Arte Moderno, Mexico City, MX. “Exhile On Main Street”, NICC Nieuw Internationaal Cultureel Centrum, Antwerp, BE. “México D.F: An Exhibition About The Exchange Rates Of Bodies And Values”, PS1 Kunstwerke, Berlin, DE
2001: “Locus Focus” Sonsbeek 9, Arnhem, NL. “Dedallic Convention” Museum für angewandte Kunst (MAK), Vienna, AT. “Escultura Mexicana Siglo XX”, Museo del Palacio de Bellas Artes, Mexico City, MX 
2000: kurimanzutto @ Galerie Chantal Crousel. Galerie Chantal Crousel, Paris, FR. Permanencia Voluntaria. kurimanzutto at Cinemanía Plaza Loreto, Mexico City, MX. “New Sitings. Contemporary Projects 4”, Los Angeles County Museum of Art, US. “Age Of Influence: Reflections In The Mirror Of American Culture”, Museum of Contemporary Art, Chicago, US. “c/o La Ciudad”, SAW Gallery, Ottawa, CA. “Summer Show”, Casey Kaplan Gallery, New York, US
1999: “Yo y Mi Circunstancia” Montreal Museum of Fine Arts, CA. “Dobles Vidas, Taller General (Abraham Cruzvillegas, Gabriel Kuri y Gabriel Orozco)“, Museu Barbier-Mueller d‘Art Precolombí, Barcelona, ES; Museu Tèxtil i d'Indumentària, Barcelona, ES. “1999OLDnewTOWN” Casey Kaplan Gallery, New York, US. “Cinco Continentes Y Una Ciudad”, Museo de la Ciudad de México, Mexico City, MX. “Economía de Mercado”, kurimanzutto, Mexico City, MX. “La Sala del Artista”, kurimanzutto, Mexico City, MX
1997: “Transatlantic”, Incubator Gallery, London, UK; Konstakuten, Stockholm, SE; CASE, Harlem, NL. “Lines of Loss” Artists Space, New York City, US. “Moment Ginza”, Le Magazin Centre National d’Art Contemporain de Grenoble, CH. “Tres Espacios” Art & Idea, Mexico City, MX
1996: “Yerself is Steam”, 85 Charlotte Street, London, UK. “I Feel Explosion”, Flat above Arndale Centre, Manchester, UK. “Offside! Contemporary Artists and Football”, Manchester City Art Galleries; Colchester First Site, UK
1995: “MA Degree Show” Goldsmiths College, London, UK
1994: “Art Köln”. Galleri Nicolai Wallner, Cologne, DE. “Private View”, Chisenhale Gallery, London, UK 
1993: “The Return of Cadavre Exquis”, The Drawing Centre, New York, US. “Otros Especímenes”, Museo Universitario del Chopo, Mexico City, MX. “Calma instalaciones”, Temístocles 44, Mexico City, MX 
1991: “D.F. Art from Mexico City”, Blue Star Art Space, San Antonio, US. “Reconsideración del Paisaje”, Club Hípico La Sierra, Mexico City, MX
1990: “Aire fresco en el verano del amor”, Galería División Arte México D.F., Mexico City, MX
1989: “De Cabeza”, Galería Polyforum Siqueiros, Mexico City, MX. “Novos Valores Da Arte Contemporanea e Internacional” Museo de Arte de Brasilia, BR

Curatorial Projects:
2017: Primordial Saber Tararear Proverbiales Sílabas Tonificantes Para Sublevar Tecnocracias Pero Seguir Tenazmente Produciendo Sociedades Tántricas –Pedro Salazar Torres (Partido Socialista Trabajador), in collaboration with Abraham Cruzvillegas, as part of Pacific Standard Time: LA/LA. Regen Projects, Los Angeles, US
2015: Unidades y Continuidades. kurimanzutto, Mexico City, MX

Awards / Grants:
2011: 2011 Artist Commission awarded by The Armory Show, US 
1999: Premio Omnilife de Gráfica, MX 
1998-1997: Beca Jóvenes Creadores awarded by the Fondo Nacional para la Cultura y las Artes (FONCA), MX



Sarah Ortmeyer
‍(*1980, DE) Lives and works in Vienna, Austria

Education:
Städelschule, Frankfurt am Main. Universität für angewandte Kunst, Vienna

Selected Solo Exhibitions:
2021: 'MMXXI', Dvir Gallery, Brussels, BE
2019: 'Inferno Chicago', Chicago Manual Style, Chicago, US. 'PS New York', US. Kunstverein Kevin Space, Vienna, AT. “Palma”, Vis, Hamburg, DE. “Inferno (Milano)”, Bar Basso / Federico Vavassori, Milan, IT
2018: „Flyrt“, Kunstverein München, Munich, DE. „Palma“, Sperl, Vienna, AT
2017: “Internationalis”, Potts, Los Angeles, US
2016: “Grandmaster (feat. MONSTER)”, Dvir Gallery, Brussels, BE. “Baden Baden“, Staatliche Kunsthalle Baden-Baden, Baden-Baden, DE. „Macho amore Roma“, Instituto Svizzero, Rome, IT. “Valium Valentine”, MoMA PS1 (in collaboration with Andrew Wyatt), New York City, US. “Koko Paradise”, 21er Haus, Vienna, AT
2015: “Koko II”, Bodega Gallery, New York City, US
2014: “Kish Kush”, Dvir Gallery, Tel Aviv, IL. “Balls”, Haus des Meeres, Vienna, AT
2013: “Grandmaster Worldchampion”, Haus Wittgenstein, Vienna, AT. “Macho amore”, Federico Vavassori, Milan, IT
2012: “Schaak Show”', SMAK – Stedelijk Museum voor Actuele Kunst, Ghent, BE. “Sad Eis” Meessen de Clercq, Brussels, BE
2010: „Navy Royale“, GAK Gesellschaft für Aktuelle Kunst, Bremen, DE. “Internationalismus”, Kunstverein, Heilbronn, DE
2009: “Kant Elegant”, Watermill Center, New York City, US. “Maurice”, Hotel Marienbad, KW Institute for Contemporary Art, Berlin, DE. „Freiheit“, Oppenheimer 34 (with Anne Imhof), Frankfurt/M., DE
2008: “With Love Yoko”, Villa Chess Shop, New York City, US
2006: “The Guardian behind the Times”, Peles Empire, London, UK. “Cuts”, Galerie der HfbK (with Tris Vonna-Michell), Hamburg, DE

Selected Group Exhibitions:
2021: 'KOLÉ SÉRÉ‘, curated by Julie Boukobza, BRAUNSFELDER, Cologne, DE. “Paradise”, Kortrij, BE.
2020: “News from Home”, Dvir Gallery, Brussels, BE. “Je me souviens”, Dvir Gallery (online exhibition) “Corona”, Paul Celan, 1948', Dvir Gallery (online exhibition). 'RIBOCA2', Riga International Biennale of Contemporary Art, Riga, LV. “A shelter in the folds of the infinite”, Sans Titre (2016), Paris, FR
2019: “Feeling for a Spider”, 4649, Tokyo, JP. “Greater“, Jahn und Jahn, Munich, DE. „Works from the collection”, Hamburger Bahnhof, Berlin, DE. “2817 – homage to Georges Perec”, Dvir Gallery, Brussels, BE. “Blow Up”, Friedman Benda, New York City, US. „Nico“, Institut für moderne Kunst, Nuremberg, DE
2018: “Mort à Crédit”, Dvir Gallery, Tel Aviv, IL. “L’Avenir”, FRAC Grand Large, Hauts de France, FR. “Paradise Now: Palm Trees in Art History”, Salon Diamond, Berlin, DE
2017: “Publishing as an Artistic Toolbox”, Kunsthalle Wien, Vienna, AT. “Take Me (I'm Yours)”, Pirelli Hangar Bicocca, Milan, IT
2016: “The printed room – Works off paper”, SALT, Birsfelden, CH. “Walter Benjamin”, Tel Aviv Museum, Tel Aviv, IL. “They printed it! On curating“, Kunsthalle Zürich, Zurich, CH. “Dilemma”, Dvir Gallery, Tel Aviv, IL 
2015: “Take me (I’m yours)“, Monnaie de Paris, Paris, FR. “Playtime”, 9800 Sepulveda, Los Angeles, US. “New Needs”, Haus Wittmann, Vienna, AT. “Meditation United”, Tank TV, London, UK. “The Spring Press”, Printed Matter, New York City, US
2014: “We Fragment, Collect and Narrate”, Leopold Hoesch Museum, Düren, DE. “Homo Ludens”, Meessen De Clercq, Brussels, BE. “I Multiplied Myself To Feel Myself”, Kunstraum Niederösterreich, Vienna, AT. „On Paper III“, CCA Andratx, Andratx, ES. ”Poetry will be made by all”, Luma Foundation, Zurich, CH
2013: “The St. Petersburg Paradox', Swiss Institute, New York City, US. “We Fragment, Collect and Narrate”, Kunstmuseum Thun, Thun, CH. “Young Collectors”, Maison Particulière Art Center, Brussels, BE. “Champs Élysées”, Palais de Tokyo, Paris, FR. “Le Quotidien”, Manuel De Survie A L'ordinaire, La Brasserie, Foncquevillers, FR. “The Legend of the Shelves”, Autocenter, Berlin, DE
2012: “Estate”, Marianne Boesky, New York City, US. “Matter of Choices”, Kunsthalle CCA, Andratx, ES. “So near the garden but still miles away”, Palazzo Santacroce, Rome, IT. “Modern Talking”, Muzeul de Arta, Cluj-Napoka, RO
2011: „New Internationals“, Frankfurter Kunstverein, Frankfurt/M., DE. “Vandelay Industries”, Hopkinson Cundy, Auckland, NZ
2010: “Kant Elegant Kalifornia”, MAK Center, Los Angeles, US. “Fokus Lodz Biennale”, Lodz, PL. “Wystawa”, Museum of Modern Art, Warsaw, PL. “One Leadind Away from Each other”, 303 Gallery, New York City, US. “Triennale Linz”, Linz, AT. “Xmas in July”, Yvon Lambert, New York City, US 
2009: “One’s History is Another’s Misery”, Stedelijk Museum Bureau, Amsterdam, NL. “Political/Minimal”, KW Institute for Contemporary Art, Berlin, DE. “Crossing the line”, Macys, New York City, US
2008: “Political / Minimal”, KW Institute for Contemporary Art, Berlin, US. „Boxer“, Literaturhaus Frankfurt, Frankfurt/M., DE. „Ende“, Städel Museum, Frankfurt/M., DE
2007: “Cut Cut”, Kunsthalle Wien project space, Vienna, AT
2006: „Gut ist was gefällt“, Museum für Moderne Kunst, Frankfurt/M., DE

Awards / Prizes:
Stiftung Kunstfond
Travel Grant New York & Island, Hessische Kulturstiftung
MAK-Schindler Scholarship Los Angeles, Vienna
Absolventenpreis Städel Portikus e.V.
Ernst & Young Preis beste Einzelleistung



Martha Rosler
‍(*1943, US) Lives and works in New York, USA

Selected Solo Exhibitions:
2020: "How Do We Get There From Here?", Esbaluard Museu, Palma / Illes Balears, ES
2019: "Martha Rosler: Passionate Signals", Neubauer Collegium for Culture and Society, The University of Chicago, Chicago, US. "Si tú vivieras aquí / If you lived here", MAC – Museo de Arte Contemporáneo, Universidad de Chile, Santiago de Chile, CL. "Maybe this time is different", MUNTREF – Centro de Arte Contemporáneo y Museo de la Inmigración sede Hotel de Inmigrantes, Buenos Aires, AR. "An American in the 21st Century", Galleria Raffaella Cortese, Milan, IT. "Martha Rosler, Eric Wesley", SLASH Art, San Francisco, US
2018: "Martha Rosler: Irrespective", Jewish Museum, New York City, US. "Martha Rosler, 1981: The year the future began", Galerie Nagel Draxler, Cologne, DE. "War Games", Martha Rosler & Hito Steyerl, Kunstmuseum Basel, Basel, CH
2017: "Partisan Views and Public Opinion", Zimmerli Art Museum at Rutgers University, New Brunswick, US
2016: "Housing Is a Human Right / If You Lived Here Still", The New Foundation Seattle, Seattle, US. "If you can’t afford to live here, mo-o-ove!!", Mitchell-Innes & Nash, New York City, US
2015: "Below the Surface", Seattle Art Museum, Seattle, US. "Greenpoint", Galerie Nagel Draxler, Berlin, DE. "Woeful Weapons: Josep Renau and Martha Rosler reacting to War", Institut Valencià d'Art Modern, Valencia, ES
2014: "Martha Rosler: The Bowery", Lethaby Gallery, University of the Arts, London, UK. "Guide for the Perplexed: How to Succeed in the New Poland", CCA Ujazdowski Castle, Warsaw, PL
2013: "Laboratorium", w/ Vanja Vukovic, Eulengasse, Frankfurt/M., DE. "Martha Rosler: Two Systems", Adam Art Gallery, Victoria University of Wellington, Wellington, NZ. "Cuba, January 1981", Galleria Raffaella Cortese, Milan, IT. "Martha Rosler", Art Museum, University of Kentucky, Lexington, US
2012: "Meta-Monumental Garage Sale", Museum of Modern Art, New York City, US. "Cuba", Mitchell-Innes & Nash, New York City, US
2011: "In Public", Galleria Raffaella Cortese, Milan, IT
2010: "Lesson for Today", with Josh Neufeld, Side Street Projects, Santa Monica "How Many Billboards? Art in Stead", MAK Center for Art, Los Angeles, US. "Martha Rosler: Point and Shoot", Stedelijk ‘s-Hertogenbosch, NL. "Martha Rosler", Galerie Christian Nagel, Antwerpen., BE. As if", GAM, Torino, IT. "If You Lived Here Still...", Casco Office for Art, Design and Theory, Utrecht, NL
2009: "Power Game", Galerie Christian Nagel, Köln. , DE. "la casa, la calle, la cocina", Centro José Guerrero, Granada, ES
2008: "Great Power", Mitchell-Innes & Nash, New York City, US. "Passionate Signals", Langhans Galerie, Prague, CZ. "Martha Rosler Library", Stills, Edinburgh, UK. "location, location, location", Portikus, Frankfurt/M., DE
2007: "Bringing the War Home", Worcester Art Museum, US. "Virtual Minefeld", Location One, New York City, US
2006: "The Martha Rosler Library", Frankfurter Kunstverein, Frankfurt, DE. "Kriegsschauplätze", Galerie Christian Nagel, Berlin, DE
2005: "Martha Rosler Library", 53 Ludlow Street, New York Cty, US. "Martha Rosler: London Garage Sale", Institute of Contemporary Arts, London, UK. "Martha Rosler - If not now, when?", Sprengel Museum, Hanover, DE
2004: "Do You Believe in Reality?", Taipei Biennnial, TW. "Photomontages 1965 - 2004", Gorney Bravin + Lee Gallery, New York City, US
2003: "Oleanna Space/Ship/Station", Utopia Station at the 50th Venice Biennale, Venice, IT
2002: "The Bowery in two inadequate descriptive systems" w/ Richard Billingham, Vin & Sprithistoriska Museet, Stockholm, SE. "Three Transient Tenants at the Central Terminal" Moderna Museet, Stockholm, SE. Maison Européenne de la Photographie Paris, FR
2001: Live Performance Art Biennale in re: Live. Video-In Studios, Vancouver, CA
2000: "Martha Rosler, Positions in the Life World", The New Museum, New York City, US. "Romances of the Meal", Performance for the project "Indiscipline," Brussels, BE. "Martha Rosler: Video", Kiasma Museum Of Contemporary Art, Helsinki, FI. "Hors Champ: Agenda Caravanes" w/ Peter Boggers, Centre Georges Pompidou, Paris, FR
1999: "In the Place of the Public: Airport Series", Suite of bus cards and subway lightboxes in the exhibition. "Ruins in Reverse: Time and Progress in Contemporary Art," organized by CEPA Gallery, Buffalo, US. "OOPS! Or, Nobody Loves a Hegemon", Galerie Christian Nagel, Cologne, DE. "Martha Rosler – Positionen in der Lebenswelt", Generali Foundation, Vienna, AT. "Martha Rosler – Positions in the Life World", Institut d'Art Contemporain Villeurbanne, FR. "Martha Rosler – Positions in the Life World", MACBA, Museu d’art contemporani, Barcelona, ES.
1998: "Martha Rosler – Positions in the Life World", The New Museum, New York City, US. "In the Place of the Public", Frankfurt Airport, organized by the Museum für Moderne Kunst, DE. "Martha Rosler", INIT: Kunsthalle, Berlin, DE
1997: "Transitions and Digressions", Jay Gorney Modern Art, New York City, US. "Martha Rosler Reads Vogue: Wishing, Dreaming, Winning, Spending", MNN, BCAT und Bronxnet Cable, New York City, US. "Rights of Passage", Galerie Anne de Villepoix, Paris, FR
1996: "Martha Rosler Reads Vogue", Paper Tiger Television, Bronxnet, New York City, US. "Everyday Objects: Videotapes by Martha Rosler", Art Gallery of Ontario, Toronto, CA. "Born to Be Sold", Free Speech TV, Boulder, US
1995: "Public Information: Desire, Disaster, Document", San Francisco Museum of Modern Art, US. Center for Contemporary Art - CCA, Glasgow, UK. "Born to Be Sold"; Free Speech TV, Boulder, US. "Martha Rosler: Il Bienal del Video", Museo de Arte Contemporáneo, Santiago, CL
1994: "In the Place of the Public", Contemporary Arts Center, Cincinnati, US. "Videotapes of Martha Rosler", Palais des Beaux Arts, Brussels, BE. "Korrektur in Stuttgart", Künstlerhaus, Stuttgart, DE
1993: "In the Place of the Public", Jay Gorney Modern Art, New York City, US. "Monográfico de Martha Rosler", Institut Valencià de la Dona, Valencia, ES. "An Empty Space in Ottensen, Contaminated by History, Capital and Asbestos.", Stadtfahrt/City Tour, Hamburg, DE
1992: "If You Lived Here: Homelessness and Housing in St. Louis", Washington University Gallery of Art, St. Louis, US. "Video Project", Sandra Gering, New York City, US
1991: "Focus on Southern Africa: Nancy Buchanan, Mzwakhe Mbuli, Martha Rosler", Otis/Parsons Art Institute Gallery, US. "Born to Be Sold", Manhattan Cable, New York City, US. "The Machine Wreckers: The Lady Luddities", Third Frauen Film Festival, Dortmund, DE. "Bringing the War Home", Simon Watson, New York City, US
1990: "Housing Is a Human Right", Project on housing and homelessness in the city of Oxford and Oxfordshire; Public sites in the city and at the Museum of Modern Art, Oxford, UK. "Martha Rosler", Galerie 7.0.7., Frankfurt/M., DE
1989: "If you lived here...", Dia Art Foundation, New York City, US. "Housing Is a Human Right", Times Square Spectacolor animated signboard, New York City, US
1988: "Martha Rosler: Four Works", Video Cable Series, organized by the Long Beach Museum of Art, US. "Born to Be Sold" American Film Institute Video Festival, Los Angeles, US
1987: "Focus: Martha Rosler", Institute of Contemporary Art, Boston, US. "Global Taste: A Meal in Three Courses", Video Installation at Cornell Cinema, Ithaca, US
1986: Los Angeles Center of Photographic Studies and EZTV, Los Angeles, US. Camerawork, San Francisco, US. Electronic Arts Gallery, Minneapolis, US
1985: University/Community Video, Minneapolis, US. "Fascination with the (Game of the) (Exploding)(Historical) Hollow Leg", Sibell-Wolle Fine Arts Gallery, University of Colorado, Boulder, US
1983: ICA, Institute of Contemporary Arts, London, UK. "Martha Rosler: Six Videotapes, 1975-1983", The Office, New York City, US
1982: "Watchwords of the Eighties", Documenta 7, Kassel, DE; Oberlin College Art Museum, US; Walter Phillips Gallery, Banff Centre School of Fine Art, US; Mercer Union Gallery, Toronto, CA; Dance Theatre Workshop, New York City, US
1981: "Two Evenings of Video", Powerhouse Gallery, Montréal, CA. "Watchwords of the Eighties", curated by Lucy Lippard, Elisabeth Irwin High School, New York City, US. "Optimism/Pessimism: Constructing a Life", Los Angeles – London Performance-Exchange, Franklin Furnace – Just Above Midtown/Downtown Gallery, New York City, US
1980: "Sketch for a Ritual of Mutual Atonement: For Alice", Interaction Arts, New York City, US. Anna Leonowens Gallery, Nova Scotia College of Art & Design, Halifax, CA
1979: Orange Coast College Photography Gallery, Costa Mesa, US. "Getting the News", Alberta College of Art, Calgary, CA. "Women in Focus", Vancouver, CA; A-Space, Toronto, CA; University Art Museum, University of California, Berkeley, US; Institute of Contemporary Arts, London, UK
1978:  "Against the Mythology of Everyday Life" and/or Gallery, Seattle, US. "Martha Rosler", Véhicule Art, Montréal, CA. "Martha Rosler", Video Free America, San Francisco, US. "Domination and the Everyday", Los Angeles Institute of Contemporary Art (LAICA), US. "Getting the News" In "What’s Cooking II", University of California, San Diego, US
1977: "Martha Rosler", "New American Filmmakers" Series, Whitney Museum of American Art, New York City, US. "Foul Play in the Chicken House", Long Beach Museum of Art, US. "Forced Choice Arizona State University", Tempe, US. "What’s Your Name Little Girl?", CLOSE Artists’ radio, KPFK Los Angeles, US. "Traveling Garage Sale", La Mamelle Gallery Garage, San Francisco, US
1976: Parachute Center for Cultural Affairs, Calgary, CA
1975: The Kitchen, w/ Alan Sekula, New York City, US. "The Evening News", w/ Alan Sekula, Cable-TV screening, College Art Association, Hilton Hotel, Los Angeles, US
1974: "A Gourmet Experience", University of California, San Diego, US
1973: "Monumental Garage Sale", University of California, San Diego, US. "Vital Statistics of a Citizen, Simply Obtained", University of California, San Diego, US

Traveling Solo Exhibitions:
1972–2012 „Garage Sale“. UC San Diego, US. La Mamelle, San Francisco, US. Institut d’Art Contemporain, Villeurbanne, FR. New Museum of Contemporary Art, New York City US. Moderna Museet, Stockholm, SE. Sprengel Museum, Hanover, DE. Project Arts Center, Dublin, IE. Institute of Contemporary Arts, London, UK. Art Parcours Project, Art Basel, CH. Museum of Modern Art, New York City, US
2009–2010 „If You Lived Here Still: An archive exhibition“. e-flux gallery, New York City, US. Casco Office for Art Design and Theory, Utrecht, NL. La Virreina Centre de la Image, Barcelona, ES
2005–2009 „Martha Rosler Library“. e-flux gallery, New York City, US. Frankfurter Kunstverein, DE. NICC/MuHKA, Antwerp, BE. United Nations Plaza school, Berlin, DE. INHA, Paris, FR. School of Fine Art, John Moores, Liverpool, UK. Stills, Edinburgh. University of Massachusetts, Amherst, US
1981–1982 „Watchwords of the Eighties“ (performance). Elisabeth Irwin High School, Oberlin College Art Museum, US. Walter Phillips Gallery, Banff Centre School of Fine Art, Alberta, CA. Mercer Union Gallery, Toronto, CA. Dance Theatre Workshop, New York City, US. Documenta 7, Kassel, DE
1998–2000 „Martha Rosler: Positions in the Life World“ (retrospective)”, Ikon Gallery, Birmingham, UK. Institut d’Art Contemporain, Villeurbanne, FR. Generali Foundation, Vienna, AT. MACBA, Museu d’art contemporani, Barcelona, ES. New Museum of Contemporary Art and International Center of Photography, New York City, US

Selected Group Exhibitions:
2021: “KOLÉ SÉRÉ”, curated by Julie Bukobza, BRAUNSFELDER, Cologne, DE (01.09.- 30.10.2021). "Life Support: Forms of Care in Art and Activism", Glasgow Women’s Library, Glasgow, UK (14.08.- 16.10.2021). "OIL. Schönheit und Schrecken des Erdölzeitalters", Museum Wolfsburg, Wolfsburg , DE (4.9.2021 - 9.1.2022).
2020: "Transhuman – Von der Prothetik zum Cyborg", Museum Ulm, DE. "Les Amazones Du Pop", Musée d’Art Moderne et d’Art Contemporain, Nice, FR, Kunsthalle zu Kiel, DE (2.10.2021-6.3.2022), Kunsthaus Graz, AT (22.4.-26.8.2022). "Supermarket", Jeu de Paume, Paris, FR. "American Women, The Infinite Journey", La Patinoire Royale - Galerie Valérie Bach, Saint-Gilles, BE.
2019: “Supermarket: Pop Art and 1960s America", Brigham Young University Museum of Art, Provo, US. "Theater of Operations: The Gulf Wars 1991-2011", MoMA PS1, New York, US. "The Enchanted Interior", Laing Art Gallery, Newcastle, UK. "Evelyne Axell, Méthodes Pop", Le Delta, Province de Namur, FR. "Direct Message: Art, Language, and Power", MCA, Chicago, US. "Feminism and Video: 1970's", Cleveland Museum of Art, Cleveland, US. "Manifesto: Art x Agency", Hirshhorn Museum and Sculpture Garden, Washington, US. "Frederick Douglass: Embers of Freedom", Museum of Art, Savannah College of Art & Design, Savannah, US. "Artists Respond: American Art and the Vietnam War, 1965-1975", Minneapolis Institute of the Arts, US. "Artists Respond: American Art and the Vietnam War, 1965-1975", Smithsonian American Art Museum, Washington, US. "Video Club, Program #6, Stedelijk Museum, Amsterdam, NL. "Eternal Now", PKM Gallery, Seoul, KR. BIENALSUR - International Contemporary Art Biennial of South America, Buenos Aires and Santiago de Chile, AR/CL. "Never Again: Art against War and Fascism in the 20th and 21st centuries", Museum of Modern Art, Warsaw, PL. "Game of Drones", Zeppelin Museum Friedrichshafen, Friedrichshafen, DE. "Columnists. Feljetonistai", Editorial gallery, Vilnius, LT. 4. Triennale Fellbach Kleinplastik, Fellbach, DE. "Moonlight", Hasselblad Foundation, Göteborg, SE. "Global National. Kunst zum Rechtspopulismus", curated by Raimar Stange, Haus am Lützowplatz, Berlin, DE
2018: Kochi-Muziris Biennale 2018. "35 DAYS OF FILM", Mitchen-Innes & Nash, New York City, US. "Thinking Ahead", Galerie Erna Hecey, Luxembourg, LU. "Wer war 1968?", Lentos Museum Linz, Nordico Stadtmuseum Linz, Landesgalerie Linz, Linz, AT. "MoMA at NGV: 130 Years of Modern and Contemporary Art" (co-organized by The Museum of Modern Art, New York and the National Gallery of Victoria, Melbourne), National Gallery of Victoria, Melbourne, AU. "Human Interest", Galerie Jochen Hempel, Berlin, DE. "Women House: 36 Women Artists Deconstruct Domesticity", National Museum of Women in the Arts, Washington DC, US. "Brand New: Art and Commodity in the 1980s", The Hirshhorn Museum, Washington DC, US. "Die wilden Jahre des Aufstands", ZKM – Zentrum für Kunst und Medien, Karlsruhe, DE
2017: "The American Dream. Amerikanischer Realism 1965-2017", Drents Museum, Assen, NL, and Kunsthalle Emden, DE. "Elements of Vogue. A Case Study in Radical Performance", CA2M, Madrid, ES. "Folklore. Eine Kontroverse mit Werken aus den Sammlungen", Museum der Moderne, Salzburg, AT. "Age of Terror", Imperial War Museum, London, UK. MAMCO – Musée d’art moderne et contemporain, Genève, CH. "Women House", Monnaie de Paris, Paris, FR. "Image of War", Bonniers Konsthall, Stockholm, SE. "Zéro de Conduite – Works from the Serralves Collection", Fundacao Serralves, Porto, PT. "Citings, Signings", Lennon Weinberg Inc, New York City, US. "Picture Industry", Hessel Museum of Art at Bard College, Annandale-on-Hudson, New York City, US. "Torqued: Visual Notes for an Upside-Down World", PPOW, New York City, US. "The war which is coming is not the first one. Great war 1914-2014", Mart Museo di Arte Moderna e Contemporanea di Trento e Roverto, Roverto, IT
2016: "The Geo Politics of Monetized Airspace – Come Fly with Me, I Meet You by the Airside Gucci Concession at 4, Fox Fur Hat", Midway Contemporary Art, Minneapolis, US. "The Uses of Photography: Art, Politics, and the Reinvention of a Medium", Museum of Contemporary Art, San Diego, US. "Number Twelve: Hello", Julia Stoschek Collection, Dusseldorf, DE. "The Eighties", Museum van Hedendaagse Kunst, Antwerp, BE. "Global Terror", Nagel Draxler Kabinett, Berlin, DE

2015: "to expose, to show, to demonstrate, to inform, to offer: Artistic Practices around 1990", Mumok, Museum moderner Kunst Stiftung Ludwig, Vienna, AT. "Wohnungsfrage", Haus der Kulturen der Welt, Berlin, DE. "The EY Exhibition: The World Goes Pop", Tate Modern, London, UK. "Regarding Spectatorship", Kunstraum Bethanien, Berlin, DE. "FIRE AND FORGET. ON VIOLENCE", KW Institute for Contemporary Art, Berlin, DE. "Re-Membering the Vietnam War", William Benton Museum of Art – University of Connecticut, US. "Who Owns My City", Van Eyck, Maastricht, NL. "NENNEN, BENENNEN", Künstlerhaus Palais Thurn und Taxis, Bregenz, AT. "do it (adelaide)", University of South Australia / Anne & Gordon Samstag Museum of Art, Adelaide, AU. "Feministische Avantgarde der 1970er Jahre. Werke aus der Sammlung Verbund, Wien", Hamburger Kunsthalle, Hamburg, DE. "Imaginary Audience Scale & Suck. A sceptical approach to exhibition making", Artspace, Auckland, NZ. "Not Yet. On the Reinvention of Documentary and the Critique of Modernism", Museo Reina Sofia, Madrid, ES. "Agitprop!", The Brooklyn Museum, Brooklyn, US. "Archive Bound", The Center for Book Arts, New York City, US. "World Goes Pop", Tate Modern, London, UK. "Endless House: Intersections of Art and Architecture", The Museum of Modern Art, New York City, US. "Transmission", Palais des Beaux-Arts, Paris, FR. "America is Hard to See", Whitney Museum of American Art, New York City, US. "Watch This! Revelations in Media Art", Smithsonian American Art Museum, Washington, US
2014: "Take it or Leave It", Hammer Museum, Los Angeles, US. "Martha Rosler, Borna Sammak, Michael St. John", Andrea Rosen Gallery, New York City, US. "EL PASADO EN EL PRESENTE Y LO PROPIO EN LO AJENO", LABoral, Gijon, ES. "The war which is coming is not the first one. Great war 1914-2014", Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Roverto, IT. "Border Cultures Part II (Work and Labor)”, curated by Srimoyee Mitra, Art Gallery of Windsor, Windsor, CA. "Art Turning Left. How Values Changed Making 1789-2013", curated by Francesco Manacorda and Eleanor Clayton, Tate Liverpool. The 2014 Dallas Biennial, Dallas, US. "Looking Forward: Gifts of Contemporary Art from the Patricia A. Bell Collection", Montclair Art Museum, Montclair, US. "Footnotes", CCS Bard Hessel Museum, New York City, US
2013: "State of Mind", SITE Santa Fe; Bronx Museum, New York City, US. Traveling exhibition curated by Constance Lewallen (2011), Originated at Orange County Museum of Art, US; traveled to The Smart Museum & The University of Chicago, US. "Contemporary Magic", Dalí Museum, St. Petersburg, US. "Elles: Mulheres Artistas na coleção do Centro Pompidou". Centro Cultural Banco do Brasil, Rio de Janeiro, BR. "Re.Act.Feminism #2–A Performing Archive", curated by Bettina Knaup and Beatrice Ellen Stammer, Akademie der Künste, Berlin, DE. "Continental Drift: Conceptual Art in Canada: The 1960s and 70s.", Badischer Kunstverein, Karlsruhe, DE. "The Past Is Present.", curated by Jens Hoffmann, Detroit Museum of Contemporary Art, Detroit, US. "Minimal Resistance. Between Late Modernism and Globalisation: Artistic Practices during the 80’s and 90’s.", curated by Manuel Borja-Villel, Rosario Peiró & Beatriz Herráez, Museo Nacional Centro de Arte Reina Sofía, Madrid, ES. "Amazing! Clear! Linguistic! An Adventure in Conceptual Art.", Generali Foundation, Vienna, AT. Curated by Sabine Folie. "Neue Ware", Galerie Christian Nagel, Köln., DE
2012: 9th Shanghai Biennial, Shanghai, CN. "The Shaping of New Visions. Photography, Film, Photobook", curated by Roxana Marcoci, Museum of Modern Art, New York City, US. "Chaotic Trajectories", Temporary Gallery, Cologne., DE. "Merciless: Wit, Satire, Irony, Sarcasm: Female Artists and the Cornical", curated by Rita E. Täuber, Städtische Museen Heilbronn, Kunsthalle Vogelmann, Heilbronn, DE. "Utopia/Dystopia: Construction and Deconstruction in Photography and Collage", curated by Yasufumi Nakamori, Houston Museum of Art, Houston, US. "State of Mind: New California Art Circa 1970", Berkeley Art Museum, Berkeley, US, traveled from Orange County Museum of Art. "And Yet She Moves: Reviewing Feminist Cinema", Walker Art Center, Minneapolis, US. "Re.Act.Feminism #2 – A Performing Archive", Centro Cultural Montehermoso Kulturunea. Vitoria-Gasteiz, ES; Museet for Samtidskunst, Roskilde, DK
2011: "The Grand Domestic Revolution", Casco Office for Art, Design and Theory, Utrecht, NL. "Actors, Agents and Attendants II, SKOR, Amsterdam, NL. "re.act.feminism 2", montehermoso, Vitoria-Gasteiz, ES. "Paradigm Shift Serralves Collection 60’s 70’s", MUSAC, Leon, ES. "Melanchotopia", Witte de With, Rotterdam, NL. "Based in Berlin 2011", based in Berlin, Berlin, DE. "So machen wir es. Techniken und Ästhetik der Aneignung", Kunsthaus Bregenz, AT. "Off the Wall / Fora da Parede", Museu Serralves - Museu de Arte Contemporânea, Porto, PT. "photographs: folios & installations", BFAS / Blondeau Fine Art & Services, Genf, CH. "Serious Games", curated by Harun Farocki and Antje Ehmann, Institut Matildenhöhe, Darmstadt, DE. "Hyper Real - Kunst und Amerika um 1970", Ludwig Forum für internationale Kunst, Aachen, DE. "That’s the way we do it at Kunsthaus Bregenz", Kunsthaus Bregenz, Bregenz, AT. "The Unbearable Lightness of Being", Yvon Lambert, Paris, FR. "Cover Girl", Galérie des Galéries, Paris, FR. "Part 4: The Pilgrim, the Tourist, the Flaneur (and the Worker)", Van Abbemuseum, Eindhoven, NL. "Phantasie an die Macht - Politik im Künstlerplakat", Museum für Kunst und Gewerbe, Hamburg, DE. "Singapore Biennale 2011", Singapore Biennale, SG. "Starters - Performative Positionen", Lothringer13, München, DE
2010: "Person is Political. Hannah Höch’s art translated in the framework of the third wave of feminism in the beginning of the XXI century", Tallinn Art Hall, EE. "Bilder in Bewegung. Künstler & Video / Film", Museum Ludwig, Cologne, DE. "Krieg/Individuum", Ausstellungshalle zeitgenössischer Kunst Münster, Münster, DE. "Donna: Feminist Avant-garde of the 1970s from Sammlung Verbund, Vienna", Galleria nazionale d'arte moderna, Rome, IT. "Modernologies - Contemporary artists researching modernity and modernism", Museum of Modern Art, Warsaw, PL. "Politics of Art", National Museum of Contemporary Art, Athens, GR. "Haunted - Contemporary Photography/Video/Performance", Guggenheim Museum Bilbao, Bilbao, ES. "Are you ready for TV?", MACBA, Barcelona, ES. "Un-home-ly", Oakville Galleries, Oakville, CA. "Seductive Subversion: Women Pop Artists, 1958 - 1968", Brooklyn Museum, Brooklyn, US. "Workers Leaving the Workplace", Muzeum Sztuki in Lodz, PL. "Changing Channels", MUMOK, Vienna, AT. "Mean Streets - Malasz", IVAM, Valencia, ES. "How many Billboards?", MAK Center, Los Angeles, US. "Solace", Austrian Cultural Forum, New York City, US. "Defending our Values (Lightbox / The Module)", Kunstraum Innsbruck, Innsbruck, AT
2009: "1969", P.S.1 Contemporary Art Center, Long Island, US. "Lecture Performances", Kölnischer Kunstverein, Cologne, US. "Democracy in America", Creative Time, New York City, US. "el dorado. Über das Versprechen der Menschenrechte", Kunsthalle Nürnberg, Nuermberg, DE. "EMAF 2009", European Media Art Festival, Osnabrück, DE. "El pasado en el presente y lo propio en lo ajeno", Laboral Centro de Arte, Gijon, ES. "Street Art, Street Life", Bronx Museum of the Arts, New York City, US. "1968. Die Große Unschuld", Kunsthalle Bielefeld, Bielefeld, DE. "The Human Stain", CGAC Santiago de Compostela, ES
2008: "re.act.feminism", Akademie der Künste, Berlin, DE. "versus inversus", Galleria Raffaela Cortes, Milan, IT. "Universial Archive. The Condition of the Document and the Modern Photographic Utopia", Museu d´Art Contemporani de Barcelona, Barcelona, ES. "Interieur/Exterieur: Wohnen in der Kunst", Kunstmuseum Wolfsburg, Wolfsburg, DE. "Bildpolitiken", Salzburger Kunstverein, Salzburg, AT.
2007: "Body politicx", Witte de With, Rotterdam, NL. Documenta 12, Kassel, DE. "Erblätterte Identitäten. Mode - Kunst - Zeitschriften", Galerie der Hochschule für Grafik und Buchkunst, Leipzig, DE. "Kiss Kiss Bang Bang: 45 Years of Art & Feminism", Museo de Bellas Artes, Bilbao, ES. "Sculpture Projects Münster 2007", Münster, DE. "Anachronism", Argos Center for Art & Media, Brussels, BE. "WACK! Art and Feminist Revolution", Museum of Contemporary Art, Los Angeles, US. "The Evil. Teil 1: Presse & Politik, Teil 2: Pop & Politik ", kuratiert von Raimar Stange, Galerie Gebr. Lehmann, Dresden, DE. "For A Special Place. Documents And Works From The Generali Foundation Collection", Austrian Cultural Forum New York, New York City, US. "United Nations Plaza", Temporäre Kunstakademie (gegr.von / founded by Anton Vidokle), Berlin, DE. "Mapping the City", Stedelijk Museum, Amsterdam, NL. "Feedback: The Video Data Bank, Video Art, and Artist Interviews", Museum of Modern Art New York, New York City, US. "Massiv Analog Academy", Galerie Christian Nagel, Cologne, DE
2006: "Piktogramme - Die Einsamkeit der Zeichen", Kunstmuseum Stuttgart, Stuttgart, DE. "Media Burn", Tate Modern, L2 Gallery, London, UK. "Saigon Open City: Liberation", Ho Chi Minh City, VN. "Academy. Learning from Art", Museum van Hedendaagse Kunst, Antwerp, BE. "Terminals, Hotels & Wunderwelten", Stadtmuseum Graz, Graz, AT. "Martha Rosler´s Library", Frankfurter Kunstverein, Frankfurt/M., DE. "FALLOUT. Cold War Culture", Mitchell-Innes & Nash, New York City, US. "Optik Schröder. Werke aus der Sammlung Schröder", Kunstverein Braunschweig, Brunswick, DE. "The Early Show: Video from 1969-1979" The Berta and Karl Leubsdorf Art Gallery at Hunter College, New York City, US
2005: "girls on film", Zwirner & Wirth, New York City, US
2004: "Election", American Fine Arts, Co., Colin de Land Fine Art, New York City, US. "WAR! PROTEST IN AMERICA 1965-2004 and MEMORIALS OF WAR", Whitney Museum of American Art, New York, City, US. "Recherche - entdeckt! Bildarchive der Unsichtbarkeiten. 6. Internationale Foto-Triennale Esslingen 2004", Villa Merkel und Bahnwärterhaus, Esslingen, DE. "American Idyll", Greene Naftali Gallery, New York City, US. "Die Regierung", mit Harun Farocki, Jean-Luc Godard/Jean-Pierre Gorin, Martha Rosler, Allan Sekula, Kunstraum der Universität Lüneburg, DE
2003: "Messe in der Galerie", Galerie Christian Nagel, Köln., DE "The Next Documenta Should be Curated By An Artist", curated by Jens Hoffmann, www.e-flux.com. La Biennale di Venezia (Arsenale), Venice, IT. "Haupt- und Nebenwege", Galerie Christian Nagel, Köln. , DE. "Attack! Kunst und Krieg in den Zeiten der Medien", Kunsthalle Wien, Vienna, AT. "Rapture: Art’s Seduction by Fashion since 1970," curated by Chris Townsend. Barbican, London, UK. "A Short History of Performance - Part II", Whitechapel Gallery, London, UK
2002: "Spacing the Line: Performativity and Passage Zones", Academy of Visual Arts, Leipzig, DE. "Photo Exhibition", Gorney Bravin + Lee, New York City, US. Shopping", SCHIRN Kunsthalle Frankfurt, Frankfurt/M., DE. TATE Liverpool, UK. "/IN/welcher/Haltung/arbeiten/Sie/bevorzugt?, Ausstellung zum Verhältnis von Kunst und der Konstruktion von Arbeit", kuratiert von Andreas Siekmann und / /D/O/C/K-Projektbereich, Galerie der Hochschule für Grafik und Buchkunst, Leipzig, DE. Video Primer. Art Gallery of Ontario, Toronto, CA. In collaboration with V-Tape, Toronto, CA. "Dritte Sektor", Galerie für Zeitgenössische Kunst, Leipzig, DE. "Screening", Consejeria de las Artes, Madrid, ES. "Outer and Inner Space: A Video Exhibition in Three Parts", Virginia Museum of Fine Arts, Virginia, US. "Continued Reflections: Walker Art Center Celebrates Black History Month", Walker Art Center, Minneapolis, US. "Art and the Construction of Work", Academy of Visual Arts, Leipzig, DE. "The First Decade: Video From the EAI Archives", Museum of Modern Art, New York City, US. "Non-Places", Frankfurter Kunstverein, Frankfurt/M., DE. "Parallels and Intersections: Art/Women/ California 1950-2000", San Jose Museum of Art, US. "Do It", curated by Hans Ulrich Obrist, www.e-flux.com. Festival "Kobieta Z Kameru", Organized by Cinenova, Warsaw, PL. "Through Women’s Eyes - Video Art by Women Artists." Museum of Contemporary Art, Taipei, TW. "Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001", Whitney Museum of American Art, New York City, US. "Personal and Political: The Women’s Art Movement 1969-75", Guild Hall, East Hampton, New York City, US.
2001: "Spitting Image: Myth and Creation of Feminine Identity", University of Connecticut at Stamford, US. "Double Life: Identity and Transformation in Contemporary Art", Generali Foundation, Vienna, AT. "New York ca. 1975", David Zwirner, New York City, US. "The Communications Department", Anthony Wilkinson Gallery, London, UK. "L’Esprit de Famille", Villa du Parc, Cetre d’Art Contemporain, Annemasse, FR. "Goteborg Film Festival", Goteborg, SE. "Transposition", London film festival, London, UK. "Shopping", Generali Foundation, Vienna, AT. "Playing Amongst the Ruins", Royal College of Art, London, UK. "The Path of Resistance. MoMA Meets Moderna 1960 - 2000", Moderna Museet, Stockholm, SE, in collaboration with the Museum of Modern Art, New York City, US. "Beyond Origin", Hellenic American Union, Athens, GR. "Structure/Statement", in the series "Contingent Cinema", University of California, Los Angeles, US. "Communications Department", Anthony Wilkinson Gallery, London, UK. "Many Moons", Hammond Museum, North Salem, New York City, US. Neue Galerie für bildende Kunst, Berlin, US. "Works from the Collection", Generali Foundation, Vienna, AT. "Jheronimus Bosch", Museum Boijmans Van Beuningen, Rotterdam, NL. "Tele "Works from the Permanent Collection", International Center of Photography, New York City, US. "Sculpture Contemporaine: Oeuvres de la Collection Frac Rhône-Alpes de l’Institut d‘art contemporain", Lyon, FR
2000: "The Wounded Diva: Hysteria, Body, Technology in 20th Century Art", Kunstverein München, DE, Städtische Galerie im Lenbachhaus und Kunstbau, München, DE; Siemens Kulturprogramm, München, DE; Galerie im Taxispalais, Innsbruck, AT; Staatliche Kunsthalle Baden-Baden, DE. "Quotidiana." Castello Di Rivoli, Museo d’Arte Contemporanea, Rivoli/Turin, IT. "The Cool World: Film & Video in America 1950-2000. Part II: 1970-2000", Whitney Museum of American Art, New York City, US. "The Body—Between Construction and Condition", International Women’s University Open Space Program, Hanover, US. "The Psychic Life of Inner Space", Großer Aktzeichensaal, Vienna, AT. "Carnival in the Eye of the Storm: War/Art/New Technologies", Curated by Trebor Scholz, Pacific Northwest College of Art, Portland, US. "Odd Bodies", National Gallery of Canada/Musée des beaux-arts du Canada, CA. "Insites: Interior Spaces in Contemporary Art", Whitney Museum of American Art at Champion. Stamford, US. "real", 4th Werkleitz Biennale, in the section "gender --Zur Technologie des Geschlechts", Werkleitz. "Cooked! (Politics, Performance and Kitchen Sink Video)", curated by Sue Ditta, Video Inn, Vancouver, CA. "The Path of Resistance." Museum of Modern Art, New York City, US. "Hyper Mental, Rampant Reality 1950—2000" Kunsthaus Zurich, Zurich, CH; Hamburger Kunsthalle, Hamburg, DE. "Bruit de Fond", Centre national de photographie, Paris, FR. "Highlights from the Permanent Collection: Pollock to Today", Whitney Museum of American Art, New York City, US. "Hausschau, das Haus in der Kunst", Deichtorhallen, Hamburg, DE. "Gouvenementalität", Alte Kestner Gesellschaft, Hanover, DE
1999: "Siting Conflict", Presentation House Gallery, Vancouver, CA. "Dream City", Kunstraum München, Munich, DE. "Poésie et principes." Musée d’Art Moderne et Contemporain (MAMCO), Geneva, CH. "Dream City." Kunstraum München, Munich, DE. "m o b i l S U P E R S U P E R l a n d. Über Mobilitat und ihre gelegentlichen Behinderungen", Forum Stadtpark, Graz, AT. "Siting Conflict", Presentation House Gallery, Vancouver, CA. "Laboratorium", Provinciaal Museum voor Fotografie, Antwerp, BE. "Private Eye", Haus am Waldsee, Berlin, DE. "Splice This!" Second Annual Super-8 Film Festival, Toronto, CA. "The American Century, Part II: 1950-2000", Whitney Museum of American Art, New York Cty, US. "Artissima 99", Turin, IT. "Modern Starts: Things", Museum of Modern Art, New York City, US. "Public Domain", Fototriennale Graz, AT..
1998: "From the Body: Allegories of the Feminine", Museo de Bellas Artes de Caracas, Venezuela, VE "Idea de lugar: Videos sobre Latinoamérica", Museo Nacional Centro de Arte Reina Sofia, Madrid, ES. "In Site 98: Mysterious Voyages: Exploring Photography", Contemproary Museum, Baltimore, US. "Fast Forward: Trade Marks", Hamburg Kunstverein, Hamburg, DE
1997: "Airport", Photographers’ Gallery, London, UK; Nederlands Foto Instituut, Rotterdam, NL. "Surveying the First Decade: Video Art and Alternative Media in the United States", San Francisco Museum of Modern Art, US; American Museum of Moving Image, New York City, US. "Artists’ Videos from the Late 60’s to the Early 70’s", Kunstverein in Hamburg, DE. "Multiple Identity, Amerikanische Kunst, 1975–1995, aus dem Whitney Museum", Kunstmuseum Bonn, DE. "Luces, Cámara, Acciòn (...) Corten! (Videoacciòn: El Cuerpo y Sus Fronteras)", IVAM Centro Julio González, Valencia, ES. "Views from Abroad III", Whitney Museum of American Art, New York City, US
1996: "Inside the Visible", Institute of Contemporary Art, Boston, US; National Museum of Women, Washington, US; Whitechapel Gallery, London, UK; Art Gallery of Western Australia, Perth, AU. "Art at the End of the Twentieth Century. Selection of the Whitney Museum of American Art", National Gallery and Alexander Soutzos Museum, Athens, GR. "Incandescent", Louisiana Museum, Humlebaek, DK, "System Aesthetics: Works from the Permanent Collection", Museum of Modern Art, San Francisco, US
1995: "25 Years of Video Art", Museum of Modern Art, New York City, US. "Africus Biennale", Johannesburg, South Africa, ZA. "Division of Labor: Women’s Work in Contemporary Art, 1970-95", Bronx Museum of the Arts, New York City, US; Museum of Contemporary Art, Los Angeles, US. "Public Information: Desire, Disaster, Document", Museum of Modern Art, San Francisco, US. "Lesezimmer II. Kunstpresse Österreich", Grazer Kunstverein, Graz, AT. "The Art of Memory, The Loss of History", The New Museum, New York City, US.
1993: "Unité / Sonsbeek / Biennale 1993, Dokumentation", Galerie Christian Nagel, Köln. DE
1985: "The Art of Memory, The Loss of History", New Museum of Contemporary Art, New York City, US. "Disinformation: The Manufacture of Discontent", The Alternative Museum, New York City, US
1984: "New American Video Art: A Historical Survey, 1967-1980", Whitney Museum of American Art, New York City, US. "Content: A Contemporary Focus", 1974-1984, Hirshhorn Museum, Washington, D.C., US. "Difference: On Representation and Sexuality", The New Museum, New York City, US; Renaissance Center, Univ. of Chicago; Institute of Contemporary Art, London, UK
1983: "Videotapes from the Whitney Biennial", 17 North American and European venues", Institute of Contemporary Art, Boston, US. "Whitney Biennial", Whitney Museum of American Art, New York City, US. "Festival Andere Avant-Garde", Brucknerhaus, Linz, AT. "Video Art: A History, Part II". Museum of Modern Art, New York City, US. "Ars ‘83". Helsinki Atheneum, FI
1982: "Documenta 7", Kassel, DE. "Seventy-Fourth American Exhibition", Art Institute of Chicago, Chicago, US
1981: "Books by Artists", Winnipeg, CA; Mus. Contemporary Art, Montréal, CA; Vancouver, CA, etc. "Libres D’Artista/Artist’s Books", Centre de Documentaçión D’Art Actual (CDAA), Barcelona, ES. "Art and Society: Bookworks by Women", Beyond Baroque Literary/Arts Center, Venice, IT. "Erweiterte Fotografie (Extended Photography)", Vienna Secession, Vienna, AT
1980: "A Decade of Women’s Performance Art", Contemporary Art Center, New Orleans, US. "Public Disclosure: Secrets from the Street", Museum of Modern Art, San Francisco, US. "National Video Festival", American film Institute, Kennedy Center, Washington D.C., US. "Issue" curated by Lucy Lippard and Sandy Nairne, Institute of Contemporary Arts, London, UK
1979: "Whitney Biennial", Whitney Museum of American Art, New York City, US. "Southern California Photography Invitational ‘79", Univ. Southern California, Los Angeles, US
1978: "Out of the House", Whitney Museum Downtown Gallery, New York City, US

Awards / Prizes:
2017: Lichtwark-Preis, Stadt Hamburg
2016: 100k Prize, The New Foundation Seattle
2012: Doctorate honoris causa, Nova Scotia College of Art and Design. Asher B. Durand Award, Brooklyn Museum
2011: DAAD Artists-in-Berlin Residency
2010: Guggenheim Museum Lifetime Achievement Award. Third International Hermes lecture, s’Hertogenbosch
2009: Civitella Ranieri Residency, Umbria. Featured Speaker, Women’s Caucus, Society for Photographic Education
2008: United States Artists Nimoy Fellow
2007: Anonymous Was a Woman Foundation Grant
2006: Oskar-Kokoschka-Preis